Solus zos Galvus (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
emet_sulk) wrote in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
avalononline2020-12-11 10:45 pm
emet_sulk) wrote in avalononline2020-12-11 10:45 pm
< thearchitect > | video
[ Sometime in the middle of the month, a video is uploaded to the network. It's pre-recorded and opens with a man in his late 20s (Emet-Selch) setting up his phone so that it will stay in place and upright. Many will recognise the scene behind him as being one of the generic kitchenettes belonging to an inn room.
On the table before the camera are a few sheets of paper with alchemy circles drawn on them, heaped with small piles of raw, natural ingredients such as salt and clay and the like. ]
Hmm... It appears to be functioning as intended. Good.
[ Retreating from the camera, he crosses his arms. His posture is quite lax, attire casual, but his manner is quite austere. ]
This is intended for the man I met almost a moon ago, who proposed to me the idea of creating a a book - a grimoire, if you will - filled with pages of alchemical circles that I might easily access spells I need instead of drawing them anew time and again. But I am sure there are others who may benefit from this knowledge as well.
[ He gestures, drawing attention to the pages on the table. ]
Here, I have drawn some simple transformations. Observe--
[ At his whistle, a dog-sized, shadowy, dragon-like creature hops up on to the seat next to him. Emet-Selch focuses on the pages and his familiar follows suit. The first circle begins to glow.
A snap of his fingers, a flash of light, and suddenly there is a ceramic plate sitting on top of the page in place of its raw components. It is plain and unfired of course, but it is certainly a plate.
He repeats this process for the next two sheets of paper, producing a square of cloth and a short, wooden rod respectively. ]
I have yet to see if this transformation can be done without placing the raw materials within the circle itself, but for now, it seems promising.
[ END TRANSMISSION. ]
On the table before the camera are a few sheets of paper with alchemy circles drawn on them, heaped with small piles of raw, natural ingredients such as salt and clay and the like. ]
Hmm... It appears to be functioning as intended. Good.
[ Retreating from the camera, he crosses his arms. His posture is quite lax, attire casual, but his manner is quite austere. ]
This is intended for the man I met almost a moon ago, who proposed to me the idea of creating a a book - a grimoire, if you will - filled with pages of alchemical circles that I might easily access spells I need instead of drawing them anew time and again. But I am sure there are others who may benefit from this knowledge as well.
[ He gestures, drawing attention to the pages on the table. ]
Here, I have drawn some simple transformations. Observe--
[ At his whistle, a dog-sized, shadowy, dragon-like creature hops up on to the seat next to him. Emet-Selch focuses on the pages and his familiar follows suit. The first circle begins to glow.
A snap of his fingers, a flash of light, and suddenly there is a ceramic plate sitting on top of the page in place of its raw components. It is plain and unfired of course, but it is certainly a plate.
He repeats this process for the next two sheets of paper, producing a square of cloth and a short, wooden rod respectively. ]
I have yet to see if this transformation can be done without placing the raw materials within the circle itself, but for now, it seems promising.
[ END TRANSMISSION. ]
voice
voice
no subject
Forgive me, I had thought you were asking if I intended to produce numerous copies for the general public.
no subject
no subject
no subject
no subject
In that case, I should like to refine my art first before I compile a tome for you. I think if one intends to safeguard knowledge, it may as well be useful to those who come seeking it. At this point in time, 'twould only be a collection of rudimentary and experimental runes.